Congratulations to James Searle – Grade 6 – Merit – Alto Saxophone Jazz.
Neil.
Congratulations to James Searle – Grade 6 – Merit – Alto Saxophone Jazz.
Neil.
Hi all,
Just had a quick go on the Yamaha intermediate model 4335 trumpet. Absolutely fantastic with goof intonation across the registers it offers control and at an affordable price. Very free blowing and can produce a great dynamic range. It comes with a Yamaha 11B4 mouthpiece which again is a cut above your standard trumpet mouithpiece.
A definite upgrade for anyone looking to trade their beginners model in and get something that provides more in just about every area of trumpeting!
Neil
A really small tip, but breathe through your mouth. It is far quicker and can be quieter. You have more control of the air volume that is coming in your body with your mouth.
Neil.
Hi all,
Always check for pads that are sticking. Doing this before playing will save that embarrassing moment when a note comes out incorrect!
The suspect ones to check are G#, low C# and the Bis keywork.
Flutes – again can have sticky pads although usually a sign that a pad needs replacing more on a flute.
Neil.
Hi all,
Jazz band is changing venue from my home to Old Glossop (Derbyshire) church. This is all good news as the band is growing in size plus the addition of drums means we now require a more acoustic venue.
This starts from this month. I’ll send address of the church round this weekend to all current jazz band members. New members all welcome on any jazz instrument – please ask me for details.
Thanks.
Many rhythms in music notation can be played correctly with a certain food pronounced in your head.
For example:
Crotchet = Tea
A pair of quavers = Coff-ee or Bis-cuit
X3 Triplets = Sat-ur-day (okay this one isn’t food but you get the idea)
X4 Semi-quavers = Wa-ter-me-lon
Quaver followed by X2 semi-quavers = Blue-be-rry
etc…..
There are loads more – but make your own up or use these and get that hard rhythm correct!
Neil.
Too many students play on reeds that are broken or just worn out. A reed only has a certain shelf life once used for the first time – think of them as yogurts in the fridge.
Also, you may occasionally come across a new reed that just doesn’t perform. It doesn’t happen too much these days – yet if you get a new reed out of the box and it plays horrible – please throw it out. Don’t stay on a bad reed just because you bought it.
Neil.
In response to me saying about donating new unused reeds of a strength you won’t use anymore – Big thanks to Ian Stubbs for donating about 20 reeds to the pool of reeds I use for students wishing to experiment with a new sound.
Again all of these reeds are new (in case anyone is wondering), but all saxophonists and clarinetists go up in hardness/thickness and strength of reed and donating the reeds that are new and you won’t use is very kind – so thanks in particular to Ian.
Keep them coming in.
Neil.